Music: FRANK LIIN and an amazing alter ego situation (Jordan Rakei)
A couple of months ago I happened to stumble upon this amazing track by Frank Liin and have been hooked and a fan ever since. I didnt really know why his voice and style seemed so familiar and couldnt quite put my finger on it until a few tracks later - and oh lord it definitely hit me!
Music: Etta Bond - NEW MUSIC VIDEO: SEEN AND NEVER HEARD
"They might judge us, rate us out of 10, objectify us....When you are able to deflect the bullshit people throw at you, when you are able to shrug at people's feeble attempts to define who you are—the strength and power absorbed from that is worth the bullet. This video was not just a chance for us to 'love ourselves the way we are' it was to test ourselves. This was not an egotistical display. It was us, coming together as one. If you can't see past a bunch of naked ladies, you're simply proving my point. And that's fine." *
Literature: poetry XII
notes found in an 1890 diary
by Kilian
my fellow men,
my fellow men,
can we be like that
or even better?
I turn to you,
you poor in exaltation,
timidity or rest,
seek wealth in your
breathless chest, not on the
golden platter.
since gold is rare and your stay long,
mine over soon, but
saying this
I've found the cure,
I've found the cure,
for isn't it a pleasure
not floundering
all in vain, rather one thing
pure in heart that's
firmly planted, so every
shine now gone
will mirror in ourselves
and soul can merge, enchanted by
rapture, apart, painless,
undaunted
Literature: poetry XI
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the dramatist, rid of dialogues
by Kilian
by Kilian
these days
snow covered
my house and garden
not undue the hour, calm, sanguine,
breathe on the window pane
as the blurred air fades
I begin to draw,
somewhere else, find
not much more than
what I'd won
long before, already
reached what there's to be at,
undoubted, my lands
end earlier than I thought
they would, comforting
that I know them well
for they embrace
with careful hands
the outward,
my wicked good
Music: The Kabeedies Are Dead (Kind Of)
Fear not, music lovers, The Kabeedies are only sort of dead, in fact they are back with a new vocalist, new music and a new name - Keep Up.
It's been a bit over a year since former vocalist, Katie Allard, left the band and I am sure her wonderful dance moves will be greatly missed by anyone who had the pleasure of seeing The Kabeedies live in the past (new vocalist Christian has yet to impress us with his moves, needless to say, he has big shoes to fill...), however the remaining band members Rory Hill, Evan Jones and Francis Bell, having added a new member and re-named the band, do not fail to impress with their new, still fun, still very danceable, sound.
It's been a bit over a year since former vocalist, Katie Allard, left the band and I am sure her wonderful dance moves will be greatly missed by anyone who had the pleasure of seeing The Kabeedies live in the past (new vocalist Christian has yet to impress us with his moves, needless to say, he has big shoes to fill...), however the remaining band members Rory Hill, Evan Jones and Francis Bell, having added a new member and re-named the band, do not fail to impress with their new, still fun, still very danceable, sound.
Keep Up have once again crossed the sea to bring fantastic guitar pop and fun times to Germany, kicking off tomorrow in Hamburg's Molotow Bar and visiting many cities in the following weeks.
See them play, dance, have fun, say hi and try to make up some bad jokes about their name, like: "Hi guys, I've been trying to Keep Up to date with..." - I'm terrible at making jokes, so let me know if you have a good one.
by Poppy
Literature: poetry X
I'm good at things
that I can't loose,
solitude and patterned moves
the bleaching arm of hills
in rain and
vessels, thick enough
regain the substance from this
foreign peak where
tides are gold
and flush is weak
cisterns now begin to spill,
I'm bleached in rain,
a man-soaked hill
solitude and patterned moves
the bleaching arm of hills
in rain and
vessels, thick enough
regain the substance from this
foreign peak where
tides are gold
and flush is weak
cisterns now begin to spill,
I'm bleached in rain,
a man-soaked hill
Literature: poetry IX
haven
I washed my back
from pears and oil,
savannah's lair and groves
of spoiling paranoids,
there
the filthy senses raise with pomp,
stiff and ugly, how can those
be the sons of
pitied Fronde, a mess and more,
though I come
to see
that cleansing sumps is
paradoxed, but one
and two, not much, enough,
and just
as I've swapped
the love for innocence
I learn to see
that
heart is bold betimes
and dirt genteel
instead
I washed my back
from pears and oil,
savannah's lair and groves
of spoiling paranoids,
there
the filthy senses raise with pomp,
stiff and ugly, how can those
be the sons of
pitied Fronde, a mess and more,
though I come
to see
that cleansing sumps is
paradoxed, but one
and two, not much, enough,
and just
as I've swapped
the love for innocence
I learn to see
that
heart is bold betimes
and dirt genteel
instead
Music: Daydream Nation by Sonic Youth
Gone
Native
Long-lasting farewell from New York underground was the result of this record. Not because of betrayed ideals but in consequence of the penetrating power of Sonic Youth's 1988 work. In a period of pop cultural rebuilding they hit a nerve and set down the yardstick on a melange of noise, pop, experiment and avant-garde. With a transgressive approach of both conservation and subversion one breathtaking peak of electric guitar music was formed around the couple of Thurston Moore and Kim Gordon. 25 years after it is time to re-listen.
by Kilian
Literature: poetry VII
by Kilian
what if the parody
is true but lost
and my visions plod
in corners
how can I waste
the many things, tossed,
cosy, cheap suborners
Music: Turn on the Bright Lights by Interpol
They
were prophesied as the new Joy Division of the U.S. indie rock scene
associated with gloomy baritone vocals, uniquely odd lyrics and an as
cold as concrete sound. With their 2002 debut album Turn on the
Bright Lights the New York based Interpol contributed one of the most
important pop albums of the 2000s. Their distinctive signature shines
through each song and perhaps this record carries one of the
symptomatic styles of the past decade.
by
Kilian
Literature: poetry VI
have you rested in a
thousand years,
your voice ahead of millions,
tunnels in congested spheres
through sticky tons of
trillions
Literature: poetry V
by Kilian
speaking
I'm not represented
here and in these words
in juddering sequence,
move then and
map
the vast, shady piles,
therefrom clap-
trap,
a stutter is gushing out,
night-blue sallowness
where it defiles
with rigours and odds,
but now
cycles have ended
cycles have ended
and augur
remains a lie, what I
was all about,
I cannot
identify
was all about,
I cannot
identify
Film: Vanilla Sky by Cameron Crowe
There Are Two Colours In My Head
A
rich man's sorrows won't become less painful through love affairs, suicide or cryostasis. But the future is not made and every minute
can emerge as a revolution of the mind in Cameron Crowe's 2001
blockbuster Vanilla Sky. Hollywood's visible thumbprints cover the work and
still, the subconscious is strong in a nightmarish journey towards
the very own person. With some luck this may end with someone asking
to "open your eyes" and see that everything is still in
its right place. Or just in another hallucination?
by Kilian
Film: The Phantom of Liberty by Luis Buñuel (Part 2/2)
Stories From the State of Grotesque
In
his surrealist tour de force filmmaker Luis
Buñuel explores the brinks of narrating and staging the big picture of a strange world. From behind the observing eye of the camera he remarks an augmented reality of sights, sounds, actions and urges.
by Kilian
Literature: poetry I
Music: Etta Bond - 'Under The Knife' VIDEO
Have you ever been called beautiful or pretty? Those kind words often compliment our outer appearance, our look, hair and make up and all the other things we want people to notice about us. Being thankful for them is easy since they boost our self-confidence and make us feel great and liked. But compliments directed at our amazing hair which we have spend 2 hours on or our skinny legs that we have starved for only cover up one part of our beauty. So what about the inner beauty, our personality, our charisma?
Etta Bond knows: 'It ain't perfection when you've got no soul.'

















